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Harold Pinter Theatre, London, until 18 March; Manchester Opera House, March 21 to 25; and Theater Royal, Brighton, March 28 to April 1
Harold Pinter’s Theater Strategy in These Tense Times in the West
To entice punters to put their faith in big-star names, whatever it takes, is the end. after david tennant GoodNow it’s Aidan Turner and Jenna Coleman’s turn to strut their stuff lemon lemon lemon lemon lemon,
I think maybe it will have enough fans Poldark And
emerdale – where both these actors made their names respectively – to
Keep the theater more or less full for the first three weeks of the race.
Beyond that, it will all come down to the quality of the play, and in this instance, there’s a slight problem.
Unsurprisingly, Sam Steiner’s little work became a cult hit in 2015 with this
The premise is that some dystopian world in the future will have an entire population of
Limited to just 140 words a day. so this is the limit of the number
words Tennant and Coleman can say in their scenes that each cover a day in their budding relationship.
Even with the necessary editing involved, what the two actors have to say is still as nuanced and receptive as the drama.
Topic. They don’t have anything to say that’s remotely funny, deep, or interesting. Worse, perhaps, there’s not a great deal of chemistry between the pair, and, with only her and Robert Jones’ bookcase-like set to watch the entire evening, I soon found my eyelids drooping.
Turner and Coleman have faces that work very well on camera, but
The stage, certainly they can’t keep it together as far as this production is concerned. Poldark Fans hoping to at least catch a glimpse of Turner’s famous chest are disappointed in that regard as well.
This couple should know they have a duty not to take care of their fans
Inexplicably set out to bore them rigorously. It may well be that they like the idea of the play because in it they are both on the stage all the time, speaking almost continuously, though in small talk, but still they must see that all this What is.