It’s no secret that Hollywood has faced accusations of ageism, both in front of and behind the camera seeking younger audiences at the expense of older players. Yet the preferences and business model of streaming, and the abundance of content it creates, seem to tamper with that math.
Unlike ad-supported networks, which have prioritized reaching a more youthful demographic, streaming relies on subscriptions, and as a means of attracting such attention, features high-profile talent that helps people grow. will inspire. While advertisers pay a premium to reach adults under the age of 50, their parents and grandparents are just as green if the money is handed over directly.
While perhaps most prevalent in streaming, this trend is not unique to it. Chuck Lorre, creator of hit comedies like “The Big Bang Theory,” its prequel “Young Sheldon,” and the aforementioned “Kominsky Method,” has stocked his show with old regulars.
On “Young Sheldon,” Means complements the main cast beyond Annie Potts with Craig T. Nelson, Ed Begley Jr., Reba McEntire and Wallace Shawn as grandmothers.
“Be Positive,” another Lorre production, has taken an even more significant turn in its second season, with a major change in which the main character, played by Annaleigh Ashford, was put in charge of an assisted-living facility. has been placed, which includes a number of veteran actors – Hector Elizondo, Jane Seymour, Ben Wren, and Jim Beavers – as residents.
The appetite for streaming content has not gone unnoticed by artists, especially with certain types of films significantly reducing their viability in theaters – a dynamic that was there before Covid-19 and only became more apparent in the last two years. Is.
“They’re good for actors. They’re good for filmmakers. If it wasn’t for Netflix, a lot of people wouldn’t be working,” said Bullock, 57. “Their stories won’t be told. Who would think that I, as a woman, would still be working at this point?”
Some caveats apply. Although there have been shows like “Kominsky Method” and “Grace and Frankie” starring Jane Fonda and Lily Tomlin, the juicier portions for actors in that age group — beyond the customary wacky grandparent roles — are still typically multi-generational. come in series.
Television has been and remains a youth dominated medium in most cases. But thanks to these shows and others, the terms of that pique are starting to look at least a little more hospitable.
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